Suggestions of risk and uncertainty, fictionalized or experienced clearly, inspire the performances that Bas Schevers (1977, NL) has been developing since 2002.
In an integrated and humorous way, Schevers triggers interventions which play with concepts like expectation, manipulation, and ambivalence. The last, also pertains to the perception, and reception, of the work itself. His performances seek a balance between the spectacular, and sometimes simultaneously, light and invisible act or gesture.

For Palais Paradiso Bas Schevers invokes a subtle confrontation between himself and the audience. By using the venue, and thematically festival and performance art in general, he will initiate several short acts, each consisting of two distinctive elements triggering a clash between probability, anticipation, annotation and a judgment of the public.

www.basschevers.nl

Suggestions of risk and uncertainty, fictionalized or experienced clearly, inspire the performances that Bas Schevers (1977, NL) has been developing since 2002.
In an integrated and humorous way, Schevers triggers interventions which play with concepts like expectation, manipulation, and ambivalence. The last, also pertains to the perception, and reception, of the work itself. His performances seek a balance between the spectacular, and sometimes simultaneously, light and invisible act or gesture.

For Palais Paradiso Bas Schevers invokes a subtle confrontation between himself and the audience. By using the venue, and thematically festival and performance art in general, he will initiate several short acts, each consisting of two distinctive elements triggering a clash between probability, anticipation, annotation and a judgment of the public.

www.basschevers.nl